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Padmaavati – Oops!!! – “Padmaavat” –The “I” has fallen down.

Padmaavati – Oops!!! – “Padmaavat” –The “I” has fallen down.

padmavat Deepika

The “I” has fallen down.. So has the intellect of Karni Sena who without witnessing what they are fighting for; will fall flat on their face when they will witness the valor of Padmaavat. Something they certainly boast about but fail to show with their display of common sense. No Rajput would be silly enough to take the country on ransom for one film that is work of fiction. Karnisena indeed is those bunch of frogs who deny to jump out of B.C and crossover into A.D. least what it does is, the time leaves them behind. The film releases and they would not be able to do anything much about it. The Supreme Court Decision gave them the taste of democracy which they were not aware it is present. They should be thankful to Sanjay Leela Bhansali for bringing Padmaavati in A.D. era and making people witness the story that echoes Rajput valor, the magnum sacrifice that created the history and will only take the legacy of Rani Padmavati ahead to the further generations through the eyes of Cinema. Cheery on the Cake is Padmaavati is made by Sanjay Leela Bhansali – Man who doesn’t need any introduction for the magnum opuses he delivers.

Padmaavat is one such magnum opus that delivers. It makes you love with the person you would like to hate “Allaudin Khilji” essayed by Ranveer Singh by his sheer performance. It is a feast to your eyes watching this beast. The Beast is at its best. The ease at which he delivers his performance outshines Shahid Kapoor right there. Shahid Kapoor plays the King of Mewar Raja Maharawal Ratan Singh who has a long name but a very short fame in Sanjay Leela Bhansali’s Padmaavat. Shahid Kapoor who is a stellar performer plays Ratan Singh with ease in the limited bandwidth role. The role is not well sketched for him to portray much or the role of Khilji overpowers everything. Infact, if the makers would have titled the film “Khilji” it would have done less harm to them than naming it “Padmaavati”. The film definitely belongs to Ranveer Singh and Deepika Padukone in spite of not having a scene together; there chemistry is right there on screen. Shahid Kapoor’s character just becomes a mere scapegoat.

Deepika Padukone as Rani Padmaavati is indeed the queen of Bollywood who takes responsibility in her act, she herself plays Magnum in Sanjay Leela Bhansali’s Magnum opus Padmaavat and strives hard to stand in front of the beast Khilji without actually coming in front of him. The war is between these two souls.

The film opens and the beast Ranveer Singh welcomes you with an ostrich and the conversation with his Father in Law to be; claims the character Allaudin Khilji, vows for. Anything “Nayab” unique in the world he keeps his hands on, he owns by all his means. Up next you come across the introduction of Deepika in singhal. Her entrance is quite contemporary leaving you awestruck if this is she you are claiming to be Padmaavati. Not to forget, the place is Singhal (Sri-Lanka) and she is not in Rajasthan yet. It takes a while to get this detailing right. However, the execution may mislead to many. This is the place where Ratan Singh had come to hunt some Ratan’s from Chittor and cupid strikes right in his heart. It is love at first sight and soon Padmaavati becomes Rani Padmaavati and screen shines with the Ghoomar Performance. Ghoomar is a visual treat, the poise Deepika brings in, the grace with which she performs, the tradition it rings in, it leaves you mesmerized.

The action begins post Ghoomar and it goes on making you wait for the interval it gets that long and captive at the same moment. The film is engaging and you are out there sitting tight on your seat seeing things move fast. The level of obsession in Khilji outgrows everything to win over Padmaavati. The war begins, Khilji deceives, Rajput speak ethics, war of words occurs. You are back from the interval and you see the same thing going on.

The execution is at which it happens though magnum yet nothing new that comes out of a Sanjay Leela Bhansali film. Problem with a Sanjay Leela Bhansali film is that they compete with his own work, where each time we expect his Magnum Opus to be grand, grander, grandiose beyond a point this has not elevated in vertical dimension but horizontally yes. Padmaavat is great but not greater than his previous works. The layering looks the same, standard format. What Padmaavat lacks is also the shaping of the central supporting characters. Tanvi Azmi in Bajirao Mastani, Supriya Pathak and Richha Chhada in Ram Leela, Kirron Kher and Milind Gunaji in Devdas they all stand out stongly. In Padmaavat, it is just Deepika and Ranveer let alone the King Shahid Kapoor. The add-ons Aditi Rao Hydari has little to do, easy on eyes yet doesn’t leave any remarkable performance because the role is not sketched that far. Same is the case with Jim Sarabh who probably has more footage than Shahid Kapoor, plays a one down beast to Ranveer Singh who is awestruck to him showcasing his tendencies loud, is indeed a good caricature that gives you some decent laughs. Anupriya Goenka who plays Nagmati Ratan Singh’s first wife is the character not well defined. Hence, Padmaavat doesn’t really outshines Bhansali’s earlier work and it just becomes his mere next film.

 

Background score of the film is brilliant, however, the song album has nothing great to rave about apart from Ghoomar. Ghoomar is a complete treat. Ek Dil Ek Jaan goes well in the movie. Khalbali seems to be revived from his own creation Malhari of Bajirao Mastani. In Bajirao Mastani, Pinga revolved around Dola re from Devdas. Sanjay Leela Bhansali is revolving and reviving his own work. We only hope we get to see something new that leaves us awestruck than just another film. Same is the case with the dialogues, his earlier films did leave an impact creating a mark for characters. Padmaavat lacks good dialogues. Shahid Kapoor’s character probably could have shined with less spoken but best spoken, have it been he would have given some dialogues.

Ranveer PAdmaavatRani Padmaavat is an engaging story but definitely not his best. Audience has seen Baahubali, the scale, the grandiose. Comparisons are huge when they claim the movie to be Imax 3D and you see the effects are minimal you feel disappointed.

The million-dollar question, the sage who passes on the message to Khilji about Padmavati’s existence. How did he enter into the confined room where Love birds were chirping? The king is surrounded by soldiers and the sage was not part of the palace. More than the “How” the mystery remains on “Why” did he enter.

The motive? Any answers. Do write back.

Only wish the “I” of Sanjay Leela Bhansali would have worked to have these answers in place than taking audiences “I” for a ride in what they call cinematic liberty.

The film nevertheless has all what it takes to be a Sanjay Leela Bhansali film. Worth a dekho to dive into the fictional history and witness the drama at a scale in cinemas near you.

Verdict: Silver Plus 3.5*s

 

 

Reviews

REVIEW: #Chup – Complete Immersive Experience. PK Verdict: Gold****

R Balki brings us a story that is immersive; though dark yet irresistible. 

Chup is a psychological thriller that gets inside our head and stays there craving for a second watch. Not because it is mind-bending but because it’s poetic to see each frame growing beautifully to its noir best. With the classic background score along with black and white frames, the film echoes the passion of the Director R Balki is. Giving us “Kaagaz ke phool” rewind that never wither away. 

Dulquer Salman is in his best form, mastering the genres at his best, comedy, romance and now a psychological thriller. The traits his character displays, the nuances he brings in, will immediately make one fall in love with him. He is in skin of the character, giving a stellar performance in the serial killer mystery who doesn’t play who done it? but why. The magic lies behind the why and that’s where we go “chup” not giving you more on it. 

Coming along as a guy next door selling flowers, with highly intriguing personality falls in love at first sight with beautiful Shreya Dhanwanthary who plays Nila. Her chemistry here and the growth of the character is well presented. She is just not the love factor singing along, she brings in the right adrenaline rush with her first film review. We all know by now, Chup is a story of a serial killer who is killing film critics brutally. The novel story idea here is winner and top of it, its execution. And since the roast is on us, it’s all the more fun. Films are indeed personal. 

It is pleasure to see Sunny Doel back in the form, bringing in the right weight with his rock-solid personality bringing the house down in couple of his scenes. His role reminds one of his films “Darr”. It has those elements where his character seems to be crossing path with Sunil from Darr. He never disappoints and brings in the right investigative elements giving Chup a good closure. It is good to see Pooja Bhatt on screen, lot of credit goes to the casting director to ring in the right cast. She is here to understand the psychology of the killer, helping to nail down the “Why”?

The film takes a cinematic liberty towards the climax but nevertheless Chup is a noise breaker to many who feel Bollywood is over. Looking at R Balki’s filmography we never thought he would bring us a story of a serial killer, a psychological thriller layered with Indian Classic and make a slow burner a pure entertainer and he does it so effortlessly. Be it the background score, or Chups Original Soundtrack, Chup is a complete immersive experience. Along with its beautiful cinematography Chup is a visual delight. 

Chup Revenge of the artist is indeed a Tribute to the great Artist Guru Dutt is. Yes is, coz his work still continues to stir our hearts. Legends for a reason. If you’re a Bollywood muse who gets freaked out by too much quiet, this is the flick for you. Bollywood is here to make some noise. 

PK Verdict: Gold****

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Reviews

 #Brahmastra Breath-taking 

Bollywood finally is about to get relieved from its parched spell. Ayan Mukerjis Dream becomes a reality, Brahmastra emerges as an entertaining astra. It may not be perfect but it dares to vision something new and delivers a magnum. The film has all the elements of being a wholesome entertainer and eventually it is. It has the soul of magic, the body of work and passion to dream; making their fantasy believable. Makers may not save the world but positively Bollywood. Thanks to the makers for finally ringing in originality. 

Brashmastra Part 1 Shiva – By now we all know Part 1 is the story of Shiva essayed by Ranbir Kapoor who has a deep connection with the fire element, playing an Agni-astra. Ranbir has a certain poise no other actor has, his innocence plays a key part in helping us connect with the character he plays, taking us through the journey of Brahmastra along with him throughout. That makes the film work. Alia Bhatt plays a girl next door, playing his love interest and we are so used to seeing them together that even makers don’t give us much of her back story. Their chemistry is doubtlessly brilliant. Her chirpiness and his swag along with the story sways it all. The film has breath-taking sequences keeping you at the edge of the seat bringing a wow factor in. At the same time, the momentum at times shivers a bit giving you pace to breathe, but at no point they loosen up. Rest of the support cast is brilliant along with the special appearance of the King Khan which is known to all by now and of course is terrific. 

Amitabh Bachchan of course brings his grandiose, just his presence elevates the weight around. He is a Boon Bollywood has and it is glad to see makers justifying his presence in films of such calibre, he punches hard and takes the punch equally hard. Brahmastra rings in some brilliant action. The VFX that looked weak in the trailers, doesn’t look bad at all on screen. Film though VFX heavy roars high on content, grounding your belief in the story well. Mouni Roy is good but yet a weak cast, considering the line of cast Brahmastra has. She leads the role of antagonist and for Hero to emerge, the villain has to be stronger. Nevertheless, her presence never goes out of the place, considering there is no physical combat but combat of super-powers, she sails through.

The film has great Music, Pritam hits the right chords and all the songs are well paced in the film and only elevate the mood further. Dance ka bhoot track has a brilliant ending tempo, Deva Deva is good and Love Storyian in Kesariya doesn’t hurt your ears at all. 

Ayan Mukerji with Brahmastra wins our hearts, with his sheer belief in his creation and giving Bollywood its first event film and as they say “This is just the beginning”. So of course the Best is yet to come as Part 2. For now, you should definitely enjoy the Brahmastra magic and cherish the film as it clears the litmus test. Brahmastra concludes part 1 shiva making a path for the part 2 – Dev. Just hoping the makers don’t take as long as part 1 for Brahmastra to be on screens again with Dev. For now, cherish the originality Bollywood has delivered, though not a six yet a brilliant boundary.

Brahmastra Part 1 Shiva – PK Verdict: Gold****

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Reviews

#Review – The Kashmir Files -Kashmir ka SACH

Short Ridiculous Review- The Kashmir Files.
In my review I won’t tell the movie was honest or not, it clearly portrayed Kashmiri pandit’s Exodus or not, because like a billion Indian even I don’t know the real story and for me film failed to give that clarity and left the hall with a confusion, though towards the end it gave some good GYAN and insight on Kashmir that i never knew and it left me curious, lll read and will do my research on that.

Why it a hit with houseful shows: first of all its a drama more on political side that suffice the interest of current ruling party, like Vivek Agnihotri’s last film that was released during Rajya Sabha elections 2019 that shows how congress was responsible for Shastri’s death, this film shows how congress was responsible for Kashmiri Pandit’s exodus. I believe most of the people watching movie don’t even know what Genocide is, what 370 is, what the real issue is.

Why to watch: To know the unknown history of Kashmir- monologue by Darshan Kumaar, and feeling that Kashmir hamara hai, hindustan ka hai.

What is missed: The movie is mostly shot in Studios and Mussoorie so you will miss the feel of real Kashmir, Clarity on the issue, yet it’s a thought provoker.

Ridiculous Rating: 3

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